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Ob in der Esskultur, der Teezeremonie, der Architektur, der Religion,
der Kunst - überall spielt das Element Wasser eine wichtige
Rolle. Japan selbst ist schließlich vom Meer umgeben, die
Tradition bestimmt von tiefer Naturverbundenheit. Die Shakuhachi-Meister
James Ashley Franklin und Masayuki Koga, Koto-Virtuosin Tomoko
Sunazaki, das Schlagzeugensemble Synergy und Flötist James
Newton machen in den ausgewählten Kompositionen den Geist
des Wassers hör- und fühlbar. the projectJapan: The Spirit of Water is a superb exploration
of Japanese tradition—the mastery of Japanese musics and spirit—emphasizing
the link between the culture of Japan and the influence, or spirit,
of water featuring both traditional and non-traditional techniques.
In the realm of music, or the art of sound (ongaku) as it is termed in Japanese, the fascination with water is something which cuts across stylistic or historical boundaries: new developments proceeding from traditional forms provide new vehicles for the embodiment of, amongst other sentiments, the spirit of water. This embodiment may be explicitly programmatic in nature, the program then often containing elements of the human world as well as the non–human environment. A famous and popular piece of this kind is Haru no Umi (Spring Sea) from the early 20th century. Although originally scored for the common combination of koto and shakuhachi, many arrangements of this piece now exist, including some for western instruments. The image of this piece proved to be so powerful that Haru no Umi has achieved the status of a national heritage heard virtually everywhere in Japan on New Year's Day. The combination of koto and shakuhachi, in recent times, has become a musical exploration drawing on the traditional style and extending them as reflected in Mountain Stream with its melodic and harmonic structure based on tradition with an improvised musical process which is not traditional. Japan is also the land of percussion sounds, the taiko. It appears in two of Japan's main dramatic forms, Nô and Kabuki, and is central to festival (matsuri) music as reflected in The Wave. Shinrabansyo (All Creation) combines taiko with shinobue (a Japanese transverse bamboo flute). Raintree stems from a Japanese composer trained in Western composition. Ise is a piece by a Western composer/performer who has assimilated Japanese influences into his playing of non–Japanese music and instruments. the artistsThe artists featured in this compilation are world
renowned master musicians, some of traditional Japanese instruments
and some of non-traditional/non-Japanese instruments.
Synergy, a percussion quartet directed by Michael Askill and Ian Cleworth, is Australia's oldest contemporary music ensemble. Their recordings include Matsuri (13081) and Taiko (15021). Masayuki Koga, founder of the Japanese Music Institute of America, is a shakuhachi master and can be heard on Eastwind: Japanese Shakuhachi Music (17067). James Ashley Franklin is a shakuhachi master, composer, ethnomusicologist, and lecturer. He founded the duo group Honoka with koto master Satsuki Odamura releasing their debut recording Water Spirits (13160) in 1997. Tomoko Sunazaki is a world renowned koto master who's work represents a lyrical conversation between Eastern and Western musical styles and can be heard on Tegoto: Japanese Koto Music (17068). James Newton is a highly literate contemporary composer and award–winning flutist who has eloquently mastered the fusion of Oriental influences of the shakuhachi into his music. His recordings include Echo Canyon (13012-2) and In Venice (13030). tracklist
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