
October, 2000

13186 THE
ART OF THE KOTO, VOLUME ONE - NANAE YOSHIMURA
During the
Tokugawa period of Japanese history (1600-1868), the shoguns of the
Tokugawa family ruled the country from their castle in Edo, present
day Tokyo. The families of the military and merchant classes sponsored
artists and musicians in Edo and encouraged them to travel throughout
the country spreading art and culture. The style of koto playing that
arose from the Tokugawa period is known as the Ikuta School after a
master koto player of the day, Ikuta Kengyo.
Koto master
Nanae Yoshimura chose five representative Ikuta koto pieces for this
CD. Rokudan is a six-minute instrumental piece in six section
(dan). The piece is simple and symmetrical. It achieves its main tension
during an increase in tempo that occurs in the fourth section. Midare,
another instrumental piece, is an expansion of a popular 17th
century tune. Tension is achieved by slight modulations in the main
theme from section to section. Zangetsu, a 17 minute vocal and
koto masterpiece of the classical repertoire, is often performed at
memorial services. The CDs excellent liner notes provide a Japanese
transliteration, a translation and an explanation of how the koto part
underscores the mood of the text. Godan-ginuta is a five-section
instrumental piece for two koto. This is a particularly sophisticated
piece in which the pitch of a number of strings of the lower koto is
altered partway through the third section and then returned to the original
before a virtuoso climax in the last section.
Chidori
is a vocal and koto number. The text, which dates back to the 10th
century, sings the praises of an ancient lord of Shionoyama.
This CD is
the first of a projected three volume series of the classical koto repertoire.
Although this writer is not an expert, the repertoire selection, playing
and detailed liner notes are impressive. A high recommendation for all
those who are interested in Japanese classical music.
-Aaron Howard
|