
March/April 1998

13159 THE MUSIC OF ISLAM
(SAMPLER) - VARIOUS ARTISTS
Ten years probably felt like a thousand to Celestial
Harmonies while they traveled to North Africa, the Middle East, and
Indonesia, recording material for an impressive fifteenvolume
collection of Islamic Folk and Classical music, from which this disc
takes fifteen extracts. It starts with a Turkishsung recitation
of part of the Qu'ran. After Iranian, Moroccan and Egyptian songs and
instrumentals,a Whirling Dervish ritual and a great Yemeni oud song,
comes a Pakistan raga in the Hindustani vocal traditiona definite
high point. From Indonesia, there's a great drum and clapping song with
a beautiful call and response. After some austere Tunisian bagpiping,
the disc ends with a spinerattling Moroccan Sufi ceremony with
oboes (raitas) and drums, sounding similar to Brain Jones' Pipes
Of Pan At Jajouka. Producer David Parsons chose to record this ritual
in a live setting rather than the studio, squarely facing the logistical
problems in miking an area with people falling off into trances. The
substantial liner notes include an entire chapter from a book on Islam
which goes into extensive detail about its musical history, techniques,
modes, instruments, ties to religion, theory and performance. Also included
is an article on Islamic history from The Cambridge Illustrated History
Of The Islamic World. Hats off to the civilized
people who kept Classical culture alive while Europe was slumbering
a thousand years ago, and to Celestial Harmonies for laboring long and
hard over this substantial piece of work. The Music of Islam
is probably the final word on the subject for a long, long time.
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